From the opening James Gang type riff to the short drum solo that brings an end to final track ‘Changes‘ some thirty-seven minutes later, this album is steeped in ’60s and ’70s hard rock / blues rock.
‘Onwards Into Poseidon’s Fangs” is the debut album from Sondershausen (Germany) power trio, Odysses.
It was always the intention they produce a jam-based, bluesey album, but as the writing and recording progressed, more psychedelic and hard rock elements almost organically emerged.
The result is an LP covering all bases of late ’60s to mid-’70s rock music.
Opening track, ‘The Curse,’ hinges around an infectious, simple riff, distinctive vocals and as in all other six tracks, a really tight rhythm section. It’s mid-paced, with a very pronounced bass line that drives the track forward. Guitarist Benjamin Kreibe gives the listener an early taste of his guitar proficiency with a short ‘wah wah’ solo towards the finish.
‘Stumbling Away’ is next up – again a very heavy bass to the fore.
And then the title track slots in – see top video. This is a truly epic track, further enhanced on the album by the keyboard playing of Marty Sennewald. The track falls into various stages and gives room for solos from both Marty and Benjamin. Nothing too indulgent – just perfect, with shades of Uriah Heep and Argent, perhaps. Word also for Vincent Muller on drums who holds everything together with steadfast and rolling beats.
This was the first song the three members wrote together as a band – setting quite high bar, I’d say! I love this track.
‘Sheria,’ seems to harbour some dark undertones mixed with a distinct psychedelic feel. This is followed by the three minute instrumental, ‘Fire.’ Rocking riffs with a sort of buzz-saw guitar hook and again, drums to the fore.
Penultimate track, ‘Egypt,‘ is a strange one – strange in a good way, that is. For all Odysses are predominately 60s and 70s Hard / Blues Rock influenced, the first half of this track make me think of Rage Against The Machine. The second half (and there are two distinct halves to this one) has a bouncy, jazz type bass, with siren like guitar sounding something a punk band like Buzzcocks may have come up with.
This leads to the final track, ‘Changes.‘ A great track this – a real slow, moody blues track. I definitely get the feel of Robin Trower on this one.
All in all, this is a terrific album. It doesn’t seek to change the wheel, but serves up a great variation of blues / hard rock styles. While Odysses‘ influences may be well declared, there is still a contemporary feel to their playing.
It will be interesting to see where they go from here.
Benjamin Kreibe – Vocals / Guitar / Theramin
Vincent Muller – Drums
Thomas Huhne – Drums