Toronto psych rock band LAMMPING are due to release their debut album ‘Bad Boys of Comedy’ towards the end of July – but more of that a little closer to the time.
In the meantime, though, the excellent DIY Turkish label Kafadan Kontak have just released a two track ‘single’ – two tracks that are not featured on the forthcoming album.
Featuring in demand drummer, Jay Anderson (see earlier mention of Stonegrass) and multi-instrumentalist Mikhai Galkin, the duo have come up with a couple real slow-burning psych tracks that remind me a little of Psychic Ills – that sort of vibe.
If these two tracks didn’t quite make the album, then we can expect great things from ‘Bad Boys of Comedy‘ when it appears on 21st July.
As a taster for the album itself, here’s the lead single, ‘Forest for the Trees’ – which may be more Black Angels than Psychic Ills. (I know, it’s really annoying making feeble and totally subjective comparisons … but it’s what I do.)
You know what? I actually know very little about the band STONEGRASS, or indeed this, I believe, their debut eponymous album.
See, I was skipping through Bandcamp again today and stumbled upon the pre-order page. Mention was made of ‘psychedelic,’ and ‘acid’ and ‘big bold psyche jams.’ And I guess that’s the importance of keywords, right there kids!
I was hooked and reeled in pretty quickly!
From what I can make out, STONEGRASS are essentially a duo from Toronto, Canada. Comprising bass / guitarist Matthew ‘Doc’ Dunn and drummer Jay Anderson, they hooked up again after previously working together on their Spiritual Sky Blues Band project.
As I write, having just bought the album on pre-order, only two tracks of the seven have been made available: ‘Tea,’ is a thirteen minute long , stoner guitar wig-out; lots of wah-wah underpinned by a prominent bass line and crashing cymbals and drums. This was composed to be played LOUD, that’s for sure.
‘Frozen Dunes‘ to me has more of a desert rock feel to it. It’s certainly more laid back and dreamy / spaced out in its delivery. Jay’s rolling toms and bongos (says the writer with absolutely no musical experience!) lead the track through its seven minute duration, while effects-laden guitars cry and drift over the top.
I don’t think I’d be a million miles away in saying this track reminds me a bit of early Sleepy Sun, from back in the day.
Whatever – these two tracks on their own are well worth shelling out for, and with the other five being made available on release day, 22nd May, what’s not to like?
(The album will also have a limited edition – 300 – vinyl run. If the costs of importing from Canada to Scotland was not so prohibitive, I’d be right in there myself.)