Tag Archives: Vic Ruggiero

LAUREN NAPIER & VIC RUGGIERO: ‘Duets Vol. 1’

The sign of a good cover is when you’re able to sing along, confident in the lyrics …. but just not quite able to place the song title or original artist.

That’s exactly the case with this new release from Lauren Napier (multi talented vocalist / writer / model – aka Punk Rock Doll) and Slackers front man, Vic Ruggiero.

This five-track EP features covers of two established and popular songs – one a country classic, the other a Rolling Stones favourite. An added bonus are King Tony’s two fantastic dub interpretations of Lauren and Vic’s interpretations, if you see what I mean!

The Patsy Cline song, ‘Walkin’ After Midnight‘ is the one that threw me. The words were familiar, but the presentation was completely alien to me. Country done Reggae works marvelously well here. Lauren’s vocals are given a bit delay / echo and her haunting, dulcet pitch perfectly blends with Vic’s warm tones.

‘Dead Flowers,’ is one of those Stones‘ songs that every fan knows, but maybe is lesser known to the casual listener. I guess the original also has a bit of a Country feel to it, and again, it’s given a real infectuous and jaunty reggae backbeat.

Lauren and Vic work so well together. They play off each other so well on this and the videos I’ve seen. And as with everything I’ve heard Vic do, he sounds so relaxed in his delivery, almost casual-like, and yet there is a playfulness, a smile, behind the vocals that draws the listener in.

Yeah – another excellent one to go check out / buy!

A ‘straight’ version of ‘Walkin’ After Midnight.’ (Not the one on the EP)

VIC & KEPI: ‘After the Flood.’

Wow!

You know how it is: you’re on coronavirus lockdown, stuck in the house. There are no shops open, which means no record stores to hang out in. But that doesn’t really matter, ’cause you ain’t working and have no money anyway.

Bored out your box, you half heartedly surf through Bandcamp looking for something fresh. But it’s a struggle.

Then, BOOM!

I’ll admit, it was the album’s artwork that first caught my eye. Then the names … VIC RUGGIERO & KEPI GHOULIE. I know these dudes. Well, I know of them – they both already have places in my record and CD collections, courtesy of their history with The Slackers and Groovie Ghoulies respectively. This was gonna be good.

In fact, it was more than’good.’ The next thirty-five minutes or so were spent foot tapping and bouncing around my room to a good, old fashioned, stripped back rhythm & blues vibe.

My first reaction was it reminded me very much of the Rolling Stones album, ‘Stripped‘ from around 1995. I had never really noticed before, but perhaps because of the song content on this album, there is a similarity at times between Vic and Mick’s vocal intonation.

And then, just as I was reveling in this comparison, I reached track four, ‘Bright Lights.’ Of course this is a Jimmy Reed standard, but I recognised it from an ‘unofficial’ Stones album from back in the day when their staple was covering some of the big blues players from USA.

(An old performance of ‘Big Kiss,’ from 2017)

Several songs on ‘After the Flood,’ sound familiar, I have to say, though I really have no idea as to the writing credits. I do know, though, that Vic & Kepi cover the Shangri-las – twice. ‘Big Kiss,‘ at track six is a slowed down version of the Sixties hit. It works really well, though I personally prefer the album-closing version of the track, ‘Great Big Reprise,’ which is a lot more ‘perky’ in its delivery

There’s something really endearing about an acoustic and more organic interpretation of rhythm & blues. Maybe it’s because the bass lines have more room to cut through and add to the bouncy feel; maybe it’s because, as in this case, Vic & Kepi are afforded space to blend their vocals and interaction, or maybe it’s just that good music doesn’t need to be over complicated and cluttered.

Seriously, there’s not one dodgy track on this album. It just feels like the lads are playing a relaxed, fun jam and somebody left the recording switch on accidentally.

Which, actually, if you read the notes to this Bandcamp release …..