Category Archives: garage

girls in the garage #1

In the early to mid-Sixties, as Rock’n’Roll gripped the western world, it wasn’t just the boys who were kicking up a wild noise in the schools and clubs of their neighbourhood. The ‘Girls’ were at it too!

All female vocal harmony groups had of course been integral parts of the scene for a while, but all female garage bands? Girls with guitars? Drums?

You bet!

While it’s now widely known that record producers on both sides of the Atlantic would frequently employ the services of session musicians for the recordings, leaving the girls to present the ‘image,’ there were some bands that refused to comply.

The excellent ‘Girls in the Garage’ series of compilations highlights many of these groups, giving them, somewhat belatedly, a wider audience appreciation.

This first post celebrating ‘girls with guitars’ showcases a couple of my personal favourites.

THE CONTINENTAL CO-ETS

(The Continental Co-ets.)

Formed in 1963 in Fulda, Minnesota, The Continental Co-ets helped pave the way for many female bands in their city to follow. All teenagers at the time, they were headed by Carolyn Behr on guitar, together with Nancy Hoffman (bass) Carol Goins (guitar) and Vicki Steinman (drums.) Nancy’s sister Mary Jo would later join on keyboards.

Their ‘big break’ came when in 1964, they were challenged by local counterparts, The Vultures, to a ‘battle of the sexes.’ The girls won out and gained invaluable exposure. More importantly, they won financial backing from David Edwards, whose investment paid off when tours around the mid-West and Canada secured them a record deal with the IGL (Iowa Great Lakes ) label.

They managed to release just the one 7″ single, ‘I Don’t Love You No More’ / ‘Medley of Junk’ with a run of 1,000 copies being released. Two subsequent recordings ‘Let’s Live For The Present‘ and ‘Ebb Tide‘ were not backed by their label and in 1967 the band decided to call it a day.

THE GLASS OPENING

The Glass Opening were another female band coming out of Minneapolis. I don’t actually have much information on them, other than they released two singles in 1969.

Their debut, ‘All Those Lies‘ was on the Dondee label, a split 7″ with the band Major Six, which didn’t sell well at all. The follow-up though, this time on the Neworld label, ‘I’m On Your Prey‘ was miles better!

However, it too failed to sell and the band split.

I have to say, I feel this one deserved so much more. It even has a contemporary feel some fifty plus years later.

THE INTERPRETERS

Again, there’s not by way of background information to this band, but I love this single they recorded for the Gemini label in 1965. Band members Sylvia and Beate were originally from Frankfurt in Germany and had a couple of U.S. labels fighting over their signature. Gemini won, obviously, and scored a minor hit with this, the other side being ‘Stop That Man,’ an equally catchy little tune!





the raunch

THE RAUNCH: ‘Total Raunch’ album cover.

The Raunch were a garage band from Ossining, N.Y., one of countless mid-Sixties groups benefiting from a healthy local scene at that time.

While still at High School, lead guitarist Jay Manning formed The Synners with a couple of pals. They played a few local / school shows before they graduated in 1965.

The Synners morphed into The Invaders and auditioned for a vocalist. Enter Sandy Katz. A writing partnership between Jay and Sandy soon developed as the band built upon their repertoire of Ventures and other instrumental covers.

As the remaining original band members moved away, bass player Frank Taxiera was enlisted. In fact, ‘… he couldn’t play and didn’t have equipment, he was jst coo and he fit,‘ Jay was quoted as saying.

Tom Walker completed the final line-up on drums.

It was while rehearsing as The Invaders a girlfriend of Jay mentioned the band sounded ‘raunchy’ and so the name was changed to The Raunch.

Throughout 1966 the band played many gigs throughout New York state and won several Battle of the Bands competitions. Their musical style evolved, as did their equipment and wardrobe.

Sandy’s dad, Marty, a successful businessman, backed the band, paying for everything and even creating a record label, Bazaar Records, for the purpose of releasing their music.

All the band’s recordings were made at Ren-Vell studios, and in most cases were done in one single take which gives the sound a real authenticity.

Both sides of their sole single on Bazaar Records are classic examples of ’60s garagepunk: ‘A Little While Back‘ is a crude heavy fuzz punker with a blistering guitar solo.

It’s backed with, ‘I Say You’re Wrong,’ a tough and moody song with classic garage girl-treats-boy-bad lyrics.

While both songs of this, their only release, were self-penned, the band were also invited to contribute a track to the highly collectable *Battle of the Bands‘ compilation on the regionally active Ren-Vell label. For this, they recorded a cover of of the Paul Revere & The Raiders song, ‘Hungry.’

(* This compilation recently – April 2021 – sold on Discogs for £162.)

The band recorded two other tracks at the Ren-Vell studio that remained unreleased until 2015, when the rather unique covers of ‘Hey Joe‘ and ‘Tobacco Road‘ supplemented those previously mentioned on the excellent, five track, ‘Total Raunch‘ EP, on Break-a-Way Records.

The Raunch played throughout 1966 into 1967 and in the end, Jay and Frank joined the military. while Sandy an Tom finished High School.

And then they were gone …

THE RAUNCH:
Sandy Katz – Rhythm Guitar / Vocals
Jay Manning – Lead Guitar
Frank Taxiera – Bass
Tommy Walker – Drums

RELEASES BY THE RAUNCH

TITLEFORMATLABELRELEASE YEAR
A Little While Back / I Say You’re Wrong7″ singleBazaar1966
Total Raunch12″ – single sided EPBreak-a-Way Records2015