In various guises and line-ups, Goliath were around for the best part of fifteen years. THIS Goliath, for there have been / were several bands to have used this name, originated in Terre Haut, Indiana during 1964 as The Checkmates.
Instigated by Peters brothers Steve (drums) an Bill (bass) the band had some local success and recorded their first single on Bogan Records. However, inordinate delays in pressing the record resulted in the band having moved on, changed name and changed personnel before the single became available.
It was in fact released under the name, Sounds of Sound.
With the introduction of guitarist David Graham, the band moved to a more to a psychedelic / Hendrix influenced sound and once again changed their name a again, this time to Goliath. They began working with agent / manager Irving Azoff (who would later represent likes of Christine Aquilera, Eagles and Jon Bon Jovi among many others) and gigs were booked across Mid-West America.
Unfortunately, this early incarnation of the band fell apart when drug and substance abuse got the better of ‘star’ guitar player Graham. However, with contractual obligations remaining unfulfilled with Azoff’s company, Steve and Bill Peters put together a new line-up, comprising former members of recently disbanded local groups, Kicks and the XL’s.
One final change, with Paul, ‘Doug’ Mason replacing Ted Bennet on Hammond Organ, and the line-up that would record this particular Goliath album.
Unfortunately, and details are scarce, this eponymous album, recorded in 1970 at the Allen-Martin Studios in Louisville, Kentucky never saw the light of day until it was re-mixed and re-mastered in 2009 by Jay Petach.
A second (effective ‘first’) album was released however in 1975. By then, Phelps (guitar) Egy (vocals) and Mason (keyboards) had moved to Atlanta to form Raven, leaving the brothers Peters to start from scratch, yet again.
They were still signed with Triangle Talent who had been pushing the band hard to record jingles and songs so that the rights could be sold. They did however, eventually relent and allow the band to record an album on their own Bridges label.
With only a few weeks to prepare, and a ‘new’ band to boot, the album is described by the Peters brothers as being nothing more that a patchwork of previously unfinished songs. Probably not the strongest of recommendations!
Although Steve and Bill did manage to keep the band going in some form or other throughout the ’70s, no more recordings were forthcoming.
For readers lacking the patience to sit through the whole album as displayed at the start of this post, I can say this:
in all honesty, it’s nothing ‘spectacular.’ But while there’s no immediate impact moments, it is a really enjoyable listen. The feel is of pared-back, hard, bluesy rock, Some songs vary like, ‘I Feel Like I’m Gonna Die’ retains the blues sound, but with more a ‘lounge / club’ inflection; ‘Its Your Land’ is pretty much Gospel influenced, while ‘In The Summertime’ to me at least, seems to have rubbed off on DJ Jazzy Jeff & The Fresh Prince – certainly on the arrival of the chorus!
On other tracks, I’m reminded of early Uriah Heep (that’s probably down to the organ sound as much as anything) and overall, yeah, a good addition to my collection.
George ‘Charlie’ Egy – Vocals
Steve Peters – Drums
Bill Peters – Bass
Paul ‘Doug’ Mason – Hammond B3 Organ
George Phelps – Guitar