Tag Archives: LP

tasavallan presidentti

(Submitted by John Allan, Bridgetown Western Australia, August 2021)

(Very quiet introduction … be patient!)

It was the early 70s and I must have been about 15 and already a hardened Progressive Rock devotee. My Genesis, Yes, Gentle Giant and JethroTull albums were already crowding out my brother’s collection of  Beatles and Fleetwood Mac LPs and the half dozen classical and British comedy recordings of my parents. Bernard Cribbins’ “Right Said Fred” would not make an appearance again for a few decades until wearing shirts became too sexy !

For reasons that are lost in the sylvan forests of that dingily dell of prog rock/adolescent halcyon, time, I thought my collection lacked a Scandinavian slant. ABBA hadn’t had their Waterloo moment yet !

How or where I first discovered Tasavallan Presidentii (President of the Republic) is a complete mystery or major mental blackout. Maybe because my surname was included in the band’s name. I can only speculate.

Lambertland was a proud addition to my ever expanding sonic library.

The cover was like a water colour Roger Dean. All trees and mountains and suns with a splash of pseudo religious symbols floating about. I thought they might throw in a free yoga lesson or a weekend mountain retreat to straighten out your Shakra with every album sold.

As for the music, it had all the ingredients of the genre – rock, folk, ambient, jazz, and the obligatory blues jam in an odd time signature. There was quite a smattering of flute and sax which appealed to me. Clever guitar work and sympathetic bass and drums.

The vocalist was a required taste with a very thick Scandinavian accent and would have been better singing in his native tongue going by some of the lyrics. No keyboard player was credited but I definitely heard the tasteful tinkling of electric piano and perhaps a sparse string synthesizer. The music certainly didn’t require any of the usual heavy handed Hammond, muddying Mellotron or meddling Moog.

(Live in 1971.)

6 tracks over 2 sides is probably prog de riguer. My favourite being the title track though where this mystical place may be – whether the far forests of Finland or a walk in a London suburb (sorry that’s Lambeth) is not clear. It has echoes of folksy Tull, jazzy Soft Machine and zippy Zappa. Not so much in a lumpy porridge sort of way, more a light, healthy, if not hunger abating, muesli.

Where that album ended up I’ll never know – probably an ashtray now at my nieces flat.

Does it stand the test of time ? Not really. Like most prog rock, it sounds dated on the naive side of edgy but it’s all space and time, innit or eikӧ olekin as they say south of Lappland !

Tracks:
1. Lounge
2. Lambertland
3. Celebration of the Saved Nine
4. The Bargain
5. Dance
6. Last Quarters

Recorded:
April-May 1972 at Finnvox Helsinki, Finland and at Europafilm Stockholm, Sweden.

A couple of clips from the TV show. (Just music -band interviews edited out.)

TASAVALLAN PRESIDENTTI

(Line-up relates to this particular album.)

Jukka Tolonen – Guitar
Eero Raittinen – Vocals
Pekka Pӧyry – Saxophone / Flute
Måns Groundstroem – Bass
Vesa Aӓltonen – Drums

TITLEFORMATLABELYEARNOTES
Time Alone With You / Obsolete Machine 7″ singleLove Records1969Releases relate only to those from before band initially split.
Solitary / Deep Thinker ‎7″ singleLove Records1970

Sisältäni Portin Löysin
7″ singleLove Records1973
Tasavallan PresidenttiLPLove Records1969
Tasavallan PresidenttiLPColumbia1971
Lambertland LPLove Records1972
Milky Way MosesLPLove Records1974

spirits & worm

A&M record executive, Bob Garcia contributed to the sleeve notes of this album, the one and only from Long Island, New York band Spirits & Worm:

” … have caused others to define their music as a ‘fresh young sound- very colourful and full of rhythm – a happy sound!

“We believe in the near future that the music industry and public will take notice of this group, and recognize them as one of the more exciting and talented groups yet to hit the airwaves.”

Very few people were to read this proclamation however, when the album was released in 1970, for it was pulled from distribution almost immediately and it’s believed that only a handful of copies actually found their way into public domain, mainly in the New York area.

The legend and likely reason, is that releasing an album with two goats sitting on top of a grave was always going to court controversy. Imagery with satanic connotations would not go down well. And so it seems some label boss took cold feet and the album failed to be granted the release it merited.

It seems to me the decision maker didn’t actually listen to the album though. The ten, Carlos Hernandez penned tracks are about as far removed from the occult as can be. They are indeed, as Bob Garcia quoted, ‘a happy sound,’ influenced more by the lush West Coast sound popularized by likes of Jefferson Airplane, with vocalist Adrianne Maurici’s powerful vocals drawing comparison to those of Grace Slick.

It does seem a little strange that A&M didn’t just ask the band to change the album’s artwork, but whatever the underlying reasons, originals of this album exchange hands for great sums of money. In fact, one copy was sold through Discogs in 2020 for £730!

There have been a couple of subsequent Limited Edition reissues; in 1994, Sweet Herb Records ran 400 copies and the following year, Water Serpent Records released a further 375 hand-numbered copies.

More recently, the Audio Clarity label have made the re-issued album more freely available, and I’m happy to say I managed to bag one for myself!

Not only is it a piece of psych / psychedelic mastery, but it holds its own special place in musical history.

SPIRITS & WORM:
Adrianne Maurici – Vocals
Carlos Hernandez – Lead Guitar
Alfred Scotti – Rhythm Guitar / Vocals
Tommy Parris – Bass Guitar / Vocals
Artie Hicks Jr. – Drums

RELEASES BY SPIRITS & WORM

TITLE FORMATLABELRELEASE
YEAR
Spirits & WormLPA&M1970